Wednesday, December 17, 2025

Project Statement [Final Draft] || Personal Photography Project || I'm Not A Believer

   


    The title of my body of work is called I'm Not A Believer, which is a narrative series of a personal set of works in the forms of different series I've done outside of classes. As a creative person (calling myself an artist is difficult sometimes since we have our own opinions on such), I think things a lot more differently by looking through the fine lines and details in life. This also means looking into the thoughts in my head, the swarming thoughts that I think about for my future. Ironically, this sets into place within the theme of my personal project itself: the fear of the future and how one moves on forward to it. 

    I dread the fear of the future quite a lot, it has stemmed from my childhood. The thought of the unknown can make one like me anxious. One of the very few traits about me is, not only do I draw, but I write narratives behind the drawings. So intentionally, at first, I thought it would be a simple photography series done by my desk with found objects nearby, but then I looked into text photography. This is when I wanted to incorporate my art with text involved, having my sketches interact with my text, my words, as a form of my own version of text photography. 

    I approached doing a lot of moving around my set up, shifting items around to position them within natural lighting from the sun by my window. It was most certainly difficult, especially most days often weren't completely sunny, but to be completely honest, I think the lack of sunlight added some emphasis to each work, because I intended that when one has negative thoughts and concerns, their mind gets clouded and lack color. The post-it notes having the most prominent color really sets the tone up well. 

Wednesday, December 10, 2025

I'm Not a Believer Portfolio 2025

 

























































Artist Statement FIRST DRAFT || Personal Photography Project || I'm Not A Believer, 2025

    For the personal photography project,  I'm referring to the title of my project being called I'm Not A Believer. This is a series of narrative photos being photographed and taken through a makeshift set up I've created as the overhead view of a desk with materials over it. The fact being that this was done in a small apartment for me does feel like an interesting challenge I had to tackle on. The directional goal of the works is that I want there to be a mysterious and dreamy vibe, maybe ominous. I always have been invested with the fear of the future, it had been a personal fear of mine since I was a child. I always had been scared of the future, not knowing what the future holds for us and moving on forward to it.

    The idea of text photography is a unique and interesting overview into our world, it tells a story, a narrative, into the viewer's or other people's mindsets internally through the usage of text. The various texts drawn and written within each photo previews kind of a different feeling of opening a page to see someone's concern and weary feeling if they are good enough or if they are even ready to meet the future. Doing this project was very emotional to me, I had to take breaks between taking specific shots for each segment, rearranging the scenes to continue with the sequences of events because it was that meaningful to me. What made me really excited was actually being able to make an accordion-like style book for the Student Show Gallery that is interactive and can be opened to take a further look into it. 

The process to doing all this was very fun and challenging because this could've been done with some assistance, but I like finding challenges that rely on finding ways to position the camera, editing the lighting and exposure to give the photos a different feeling, and so forth. Researching various Photographers who used text photography is so intriguing, because once again, text photography is the duality between using text and photography to create a richly deeper complex of a narrative that a medium alone can do. 

History of Photography || Part Two || Personal Project

     Text photography is an art form in blending images and words, to create meaning beyond what mediums could do alone, where text can be overlayed in the photo, on top or on bottom, or present into an emotional narrative. These various formats can really create text photography to be a unique takeaway and present deeper narratives with complex layers. 

Text photography started around the 1930's-40's, but it started as literary 'photo-texts', by Wright Morris (1910-1998). He was a significant American author and photographer that was known for pioneering the "photo-text" format, blending with his evocative writing and his evocative photographs together that often focused on the quieter details of the rural Nebraska life an the American vernacular. It can create the following various factors,

Survey show reframes novelist Wright Morris as pioneering Depression-era  photographer - The Art Newspaper - International art news and events

Gano Grain Elevator, Western Kansas1939Gelatin Silver PrintWright Morris

- Hybrid Narrativesit can combine photo and text, creating a multi-dimensional narrative. 

- Context and Meaning: it can make the text clarify some open ended questions, alter the interpretation of the image, make the text or the photo subjectively important overall. 

- Found Text, utilizing such texts like graffiti, engraved writing on the wall, cracks, etc.

- Added Text, adding text to existing photographs or materials.

- Photo Texts as Books, cohesive projects where text and photos are given equal importance. 

- Artistic Techniques, adding drawing, adding drawn texts, exploring identity, memory, society. 

Examples of Photographers/Artists,

Laszlo Moholy-Nagy: Coined "Typophoto" for a duality in text and photography on modern designs.

Lorna Simpson: Explores African American women's experiences with photo text installations and paintings combined. 

Jacob Riis & Walker Evans: Documenting social conditions, using text to heighten impact of their images. Jacob Riis documented a lot of poverty that happened in New York City during the 19th century making the lives and living conditions of the working poor as widely visible as possible.

Jacob August Riis. Lodgers in Bayard Street Tenement, Five Cents a Spot.  1889 | MoMA

Lodgers in Bayard Street Tenement, Five Cents a Spot1889Gelatin Silver Print, printed in 1957


License Photo Studio, New York1934Gelatin Silver PrintWalker Evans


Research Sources:




Wednesday, November 12, 2025

Continued Part Three || I'm Not a Believer, 2025 || Personal Photography Project

This is a continuation of the Personal Photography Project, but these are some selected photos now edited within the Photoshop app. 



























Tuesday, November 11, 2025

Continued Part Two II Personal Photography Project

 A continuation of my personal project, which now the title is referred to as I'm Not a Believer, diving into the story of somebody who has a fear of the unknown and not knowing what the future will provide them moving on forward. I included a couple new shots I took while messing around with some findings with the set up I made. 








































Project Statement [Final Draft] || Personal Photography Project || I'm Not A Believer

         The title of my body of work is called I'm Not A Believer, which is a narrative series of a personal set of works in the forms ...